acceptable/normal
speech privacy: according
to the recently updated standard for Speech Privacy in Open
Offices, (American Standard Test Method (ASTM) E1130–02)
the speech privacy of a space
is “acceptable” or “normal” (meaning
not-readily understood) when the AI is under .20 or the
SPI is over 80%
acoustics:
the
study of sound.
AI
(articulation index):
a quantitative measurement of the intelligibility of speech
in a given location; an articulation index of 1 means that
all speech can be understood, 0 means that no speech can
be understood.
ASTM:
American
Standard Test Method (ASTM) E1130–02
band:
also
called “frequency band”, a band is a specific
range of frequencies.
bandwidth:
the
difference between the highest and lowest frequencies in
a band.
CAT-3:
Category
3, a standardized multi-conductor type of structured data
cable.
confidential
speech privacy: The
standard measurement for this defines the AI as under .05
or the SPI as over 95% (ASTM E1130—02).
control
module: the
unit that generates the sound masking
signal and that controls the output of the system.
dB
(decibel): The
decibel (dB) is a logarithmic measure of the ratio between
two quantities, often used in measurements of the loudness
of sound.
dBA:
(A-weighted
decibel) the A-weighted decibel is one of four frequency
weightings (the others are C-, B- & Z-) used to allow
the result of an acoustical measurement to be expressed
as a single number. The weightings are also intended to
approximate the responses of the ear to different frequencies
at different levels. An A-weighting is the most relevant
to sound masking system loudness.
direct
field: the
sound field from loudspeakers installed directly in the
ceiling thus eliminating the need for the sound to penetrate
the ceiling tile.
emitter:
a
loudspeaker.
Hz
(Hertz): the
notation of frequency (cycles per unit of time); 1 Hz means
that an event repeats once per second.
masking
system generation: A
Cambridge Sound Management nomenclature used to categorize
the advancements of sound masking
technology. Systems in the first generation (developed circa
1965) are characterized by their use of plenum-based
loudspeakers (demanding acoustical consideration of heating
ducts, piping, electrical components, etc.) controlled by
a bulky “head end” controller. The loudspeakers
required significant systems design and complex post-installation
measurements and adjustments by acoustical experts. In addition,
the masking sound would overflow to spaces, such as private
offices, where sound masking was not desired.
Second generation systems (developed circa 1975) changed
the design of the loudspeakers to combine them with integrated
electronics. Early designs of this equipment required installers
to go up into the plenum to tune each speaker. Subsequent
designs eliminated this inconvenience with programmable
loudspeakers from head-end equipment, and daisy chained
loudspeakers but did not eliminate the complexities of design,
the overflow problem or the need for costly post-installation
adjustments.
In third, and most recent, generation systems loudspeakers
are no longer in the plenum, but emit directly into the
desired coverage area; there are no spectral adjustments
needed subsequent to installation, and the energy required
is under 10 watts for up to 300,000 square feet of coverage
(roughly that of a nightlight) opposed to 100 times that
for first generation systems.
octave
bands: octaves
are standardized ranges of frequency. As each successive
octave increases, the center frequency and frequency range
it defines doubles. Graphed against octaves, pink noise
is flat meaning there is equal sound energy in each. Acousticians,
therefore, often use pink noise as a reference signal for
measurements.
open
office plan: a
common configuration of large office spaces without walls
that usually involves cubicles.
pink
noise/white noise: Pink
noise is noise with a decreasing amount of energy per Hz
with higher frequency. White noise is inaccurately, but
commonly used to describe any constant, low-level background
noise, however, noise is classified as "white"
if it has a flat spectrum or energy per Hz over all audible
frequencies. Qt Quiet TechnologyTM does not emit either
a precisely “white” or precisely “pink”
noise spectrum, as neither would effectively solve the problem.
Pink noise sounds less unpleasant than white noise, but
is still “hissy.” Qt Quiet TechnologyTM instead
uses a combination of the two spectra; one which emulates
the spectrum of human speech frequencies. (see graph of
Pink an White Noise, and speech).
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